Source: World Vision
Culture and Heritage – Long-awaited National Erebus Memorial begins construction
Source: Ministry for Culture and Heritage
Northland News – Annual Plan 2026/27 adopted
Source: Northland Regional Council
Defence News – NZDF supports successful operation to remove WWII-era explosives in Papua New Guinea
Six New Zealand Defence Force (NZDF) personnel have this month been part of a multinational effort in Papua New Guinea to destroy about 2200 explosive remnants left over from the Second World War.
Delivered under Australian Defence Force (ADF) leadership, Operation Render Safe brought together military personnel from Papua New Guinea, Australia, New Zealand, Canada, France, Japan, the United Kingdom and the United States to locate and safely dispose of about 7550kg of the explosives.
The operation focused on explosive remnants of war – or ERW – identified during previous missions in the Gazelle, Kokopo and Rabaul districts of East New Britain province. They have continued to pose a serious risk to local communities for more than 80 years.
The munitions were moved to pits that had been dug so charges could be placed on them to destroy them.
The smaller and more stable bombs were moved via vehicle and the larger ones carried by several people with slings.
New Zealand Army Captain ‘C’*, Senior National Officer of the Kiwi contingent, said the six-person NZDF Explosive Ordnance Disposal (EOD) team was embedded within the ADF-led task force, working alongside Papua New Guinea Defence Force and international counterparts.
“It’s a challenging task, in a hot and humid jungle environment and with seriously degraded munitions that have spent 80 years exposed to the weather and sea salt,” Captain C said.
“But it’s an important task to ensure the safety of communities in these areas.”
The NZDF maintains a highly capable EOD service, drawing personnel from the Royal New Zealand Navy, New Zealand Army and Royal New Zealand Air Force.
EOD teams provide regular domestic support to New Zealand Police, including the assessment and disposal of improvised explosive devices and unexploded ordnance.
NZDF personnel are also very experienced in ERW clearance operations across the Pacific, having undertaken similar work in Bougainville, Solomon Islands, Vanuatu and Nauru in recent years.
The Force Integration Training conducted in Australia prior to deployment ensured the multinational team could operate effectively together in the challenging Papua New Guinea conditions.
“The training ensured we were not only a strong, cohesive team, but also allowed us to build enduring relationships that will support future operations,” Captain ‘C’ said.
“Every time we work with the ADF and our partner nations, it’s a valuable opportunity to understand each other’s procedures—ensuring we remain interoperable and ready to deploy together when needed.”
Render Safe is a long-standing multinational initiative, running for more than 20 years, aimed at reducing the threat posed by ERW across the Pacific and strengthening regional security through cooperation.
The NZDF contribution reflects New Zealand’s ongoing commitment to regional security and its close defence relationships with Papua New Guinea, Australia and other international partners.
EMA – ExportNZ’s flagship summit Global X returns – helping exporters navigate a changing world
Source: EMA
Conflict – Five children killed by explosive weapon in Yemen while engaged in child labour in deadliest incident this year – Save the Children
Source: Save the Children
Statistical area 2 and 3 population projections: 2023(base)–2053 – fifth instalment – Stats NZ information release
Source: Statistics New Zealand
Statistical area 2 and 3 population projections: 2023(base)–2053 – fifth instalment – information release
24 June 2026
Statistical area 2 (SA2) and statistical area 3 (SA3) population projections released in Aotearoa Data Explorer (ADE) provide an indication of future changes in the size and age-sex structure of the population usually living in each area.
About this release
This is the fifth instalment of the statistical area 2 (SA2) and statistical area 3 (SA3) population projections. This release includes SA2 and SA3 areas for the following territorial authority areas:
- Far North district
- Matamata-Piako district
- Ōpotiki district
- Upper Hutt city
- Masterton district
- Ashburton district
- Clutha district.
These projections are by five-year age group and sex. Projections for additional territorial authority areas will be released progressively during 2026, as they become available.
Visit our website to read the full information release:
Employment – Northland Mill proposed to close without a buyer found
Source: Workers First Union
Events – Three new exhibitions open Adam Art Gallery’s winter season
Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington will open its winter season with three new exhibitions. Two solo projects, The Choice by George Watson and ‘Ua Tafa Mai Ata: Matāli’i ki Wainuiātea by Elisapeta Hinemoa Heta, are accompanied by a group show, Not a solitary feeling. While developed as distinct projects, each exhibition contends with inherited histories in different ways, and proposes a critical framework attuned to the challenges of the present. Thresholds, gates, the eye of the storm—these works collectively offer moments of reflection, and the recognition of larger forces at play.
In the gallery foyer, artist and architect Elisapeta Hinemoa Heta presents the sculptural installation ‘Ua Tafa Mai Ata: Matāli’i ki Wainuiātea. The title connects to the artist’s Sāmoan gafa (whakapapa) and alludes to the ata or morning light that cuts through the darkness, similar to the capacity of art to reveal that which may be less visible or material. The work takes the form of an ātea—a public forum, most commonly referring to the open area in front of the wharenui where visitors are welcomed and issues are debated. The installation includes low seats made from charred timber, a gauze-like textile canopy, a foundation of bricks formerly used in Wellington’s Te Ngākau Civic Square. The work becomes a platform from which one might, metaphorically or in more tangible ways, connect or reconnect with the expansiveness of Moana-nui-a-Kiwa. Heta’s project—this third version of which is presented for Adam Art Gallery by guest curator Israel Randell—is a built structure designed for hosting people, and foregrounds the role of talanoa or dialogue in the navigation of our multiple and pressing relationships to the ocean that surrounds us.
George Watson’s artwork The Choice is her most physically substantial project to date, constructed primarily with found and prefabricated materials. Working with metal, textiles, artificial dust, text, and processes of sculptural subtraction, Watson’s installation brings together seemingly divergent references—to the farm, the villa, and the 19th-century novel—within a larger narrative about colonial inheritances, and the ways that such histories haunt us in the present. The work comprises large, galvanised steel farm gates, the removal of gallery wall panels to reveal the internal structure, and the addition of ornate Victorian era fretwork. The title references Robyn Kahukiwa’s 1974 painting, The Choice, a work that Watson has returned to frequently in her own thinking on urban migration of Māori in the 1970s, and its legacies in the present.
Not a solitary feeling is a group exhibition of works that disrupt our image of the past and open possibilities for altering how we might think about, anticipate, and imagine the future. Featuring a selection of works from Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection alongside loaned works, the exhibition explores how artworks may open perceived boundaries between human and more-than-human, planet and atmosphere. Including sculpture, painting, video and photography, the exhibition pays attention to the atmosphere as a commons, considering bodies which we might not see but can sense and feel, such as wind, weather, water, and the air in-between, and what it means to be a community of which this planet is a part. Not a solitary feelingcompletes a three-part series of exhibitions which unpack the possibilities for an environmentally-considered art history of Aotearoa, co-curated by Professor of Art History and Environmental Humanities, Susan Ballard, and former Kaiwhakarākei Curator Collections at Adam Art Gallery, Sophie Thorn.
Details of the exhibitions
‘Ua Tafa Mai Ata: Matāli’i ki Wainuiātea
Elisapeta Hinemoa Heta
Curated by Israel Randell
The Choice
George Watson
Curated by Abby Cunnane and Keani Rewha
Not a solitary feeling
Fiona Connor, Colin McCahon, Ross Hemera, Brett Graham, Mark Harvey, Ayesha Green, Yuki Kihara, Kate Newby, Layla Rudneva-Mackay, Christine Hellyar, Tanya Ashken, Melissa Macleod.
Curated by Susan Ballard and Sophie Thorn
4 July–11 October 2026
Te Pātaka Toi Adam Art Gallery
Opening hours
Te Pātaka Toi Adam Art Gallery
11am–5pm Tuesday–Sunday
FREE ENTRY
adamartgallery.nz
